Ramona was an 1884 novel by Helen Hunt Jackson which described the travails endured by our young half-Scottish half-Native American heroine, mostly due to racial discrimination. It was immensely popular, and many places in San Diego jumped on the popularity bandwagon, claiming to be the places portrayed in the novel. The Camulos Ranch, pictured above, had a valid claim; the author is known to have visited there during her research, and describes particular furnishings and other items at Camulos in great detail, despite having stayed there only a few hours.

This card is one among a group of six cards purchased at Ramona’s Marriage Place, another attraction, that I found in a shop as part of a lot of several California cards. Each of them has a “From Ramona’s Marriage Place” rubber stamp on the back, and were probably purchased at the same time by the same tourist.

None of the cards appears to be any newer than around 1915 at the very latest. This particular card was published by Edward H. Mitchell of San Francisco.

This card ostensibly depicts the very first stagecoach in California but, given that it was located at a well-known tourist trap, I am hard-pressed to believe it.

This card is one among a group of six Ramona-based cards that I found in a shop as part of a lot of several California cards. Each of them has a “From Ramona’s Marriage Place” rubber stamp on the back, and were probably purchased at the location itself, at the same time by the same tourist.

None of the cards appears to be any newer than around 1915 at the very latest. This particular card was published by Edward H. Mitchell of San Francisco.

“Stanford Memorial Chapel — located on the Campus of Stanford University, is considered one of the most beautiful churches in America. The extensive use of art mosaics for mural decorations combine to make it a structure more than unique in character, worthy of visiting and well remembered. This church was built as a memorial by Mrs. Stanford to her husband Senator Leland Stanford. Dedicated in January 1903. Only non-sectarian services are held.”

This is an obvious Curt Teich card (number 0B-H123, produced in 1940) but is marked only as being copyrighted by the Stanley A. Piltz Company of San Francisco as part of their “Pictorial Wonderland Art-Tone Series”. There is a little wear on the corners, but otherwise this card is in excellent condition. You should definitely click on the picture, so that you can marvel at the painstaking detail of this card’s colorist.

This card is one among a group of six Ramona-based cards that I found in a shop as part of a lot of several California cards. Each of them has a “From Ramona’s Marriage Place” rubber stamp on the back, and were probably purchased at the location itself, at the same time by the same tourist.

None of the cards appears to be any newer than around 1915 at the very latest. This particular card was published by Edward H. Mitchell of San Francisco.

Ramona was an 1884 novel by Helen Hunt Jackson which described the travails endured by our young half-Scottish half-Native American heroine, mostly due to racial discrimination. It was immensely popular, not just for the storyline itself (sort of a Native American Uncle Tom’s Cabin), but for the romantic descriptions of 19th-century California, and the Spanish land aristocracy. It remained popular for decades thereafter, in part thanks to a 1910 D.W. Griffith film starring Mary Pickford, a 1928 version starring Delores del Rio, and a 1936 version starring Loretta Young and Don Ameche.

Consequently, many places in San Diego jumped on the bandwagon, claiming to be the places portrayed in the novel. Many of them had valid claims, as it was known that the author visited these places during her research. They were assisted by the fact that train travel to Southern California had recently become relatively easy and inexpensive, creating a tourist boom.

Ramona’s Marriage Place, previously (and once again) known as the Estudillo House, was unique in that there was no documented visit by the author, and that the location of Ramona’s marriage in the novel is not well described. Nevertheless, they marketed themselves as such and enjoyed a great deal of popularity.

This card is one among a group of six Ramona-based cards that I found in a shop as part of a lot of several California cards. Each of them has the “From Ramona’s Marriage Place” rubber stamp on the back, and were probably purchased at the Estudillo House, at the same time by the same tourist. None of the cards appears to be any newer than around 1915 at the very latest. This particular card was published by Edward H. Mitchell of San Francisco.

Ramona and its tourist consequences can probably be credited with keeping much of Old Town San Diego out from under the wrecking ball over the years, and can also be credited with (or blamed for, depending on your point of view) popularizing Mission Revival-style architecture.

An interesting feature of this card is that the image on the front is off-center. Prior to 1907, when it was illegal to write anything but the destination address on the back of the card, publishers often left white space on the front to allow a message to be written. But this card was posted in 1955, and was probably published around the same time.

The really interesting feature, however, is the message. Our suitor, Donald, writes to one “Mademoiselle” Gail Bautam of Bloomingdale, New Jersey: “My deerest one: Say, you, my aunt Esther tole me youse have annodder feller, you fickle but booful girl. Now, I’m jest about thru wit youse, but i still love youse. Avec mon amour, Donald.” Doubtless they married and had silly children.